没什么，太后舍得将蛟龙令给皇上，兴许太后是有所悟，娴妃的事情我们萧家不会再为难皇上，一切由皇上做主。太后让步了，萧家自然不能步步紧逼着皇帝，让新帝对萧家失了心。Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
别名：狂野街头免费在线观看
导演：Barry,Shear
演员：谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
发行年份：1968
首映地区：美国
狂野街头茫茫夏日与同好相聚影院，一抹青白，细雨飘飘中，相会西湖，断桥上的，是隔世的重逢！
狂野街头无论你这个人活的有多烂、多失败、多差劲，只要你找到一件事，哪怕只是很小的一件事，一直做、专注做、拼了命地做下去，你会赢的，哪怕就一次。
极度戏剧化的情境中转化作最朴素日常的一瞬。这就是好演技的一种典范，因为他对人物的刻画，引起了人们的共鸣，进而把人们带到那样的场景中，让人们可以很自然的感受到这种感觉。
